An Ambivalent Woman of 37
A dance theatre meets cabaret work exploring ambivalence, identity, and the choice to become a parent.
Developed over five years and across three countries, this interdisciplinary performance weaves dance, text, animation, and original music. Inspired by Sheila Heti’s novel Motherhood, it asks what it means to live a meaningful life—on your own terms. Premiered at Sydney Fringe and toured to OzArts Nashville. 👉 Explore the full project →
Love Me Tinder
In development—A cabaret work exploring mating, memory, and modern loneliness through humour and heartbreak.
Structured like a fragmented musical essay, this project investigates the emotional aftermath of dating apps and broken marriages, drawing on psychology, song, and embodied performance. A companion piece to An Ambivalent Woman of 37.
Animation for Spaces
Site-specific visual storytelling designed for windows, walls, and performance environments.
A collection of short-form animations created for public and theatrical settings. Includes Snowflakes of Hudson (2018), a looping projection piece that lit up Winter Walk in upstate NY, and a suite of animations made in collaboration with Anca for The Motherhood Project. Optimised for large-scale projection and immersive visual environments. 👉 Watch featured animations →
Pieces of Her
In development—A contemporary myth stitched from beauty, expectation, and the fragments women carry.
Pieces of Her began with a question: what was I embodying when I danced L’élue in The Rite of Spring? And what about all the other roles — the ingénue, the seductress, the tragic heroine? Each movement was charged with meaning. But whose meaning?
This devised work blends movement, visual art, and live music to examine the ever-shifting standards women are expected to meet — beautiful, ageless, maternal, powerful, submissive, perfect. Inspired by Circe, Eve, and the unspoken myths of modern womanhood, it searches for the source of these standards and why we keep enforcing them.
Edible Histories
In development—An immersive performance in four courses tracing Australian identity through food, politics, and domestic history.
Combining storytelling, historical recipes, projections, and live cooking, this theatrical event invites audiences to eat, remember, and reflect.
Archival Choreography
A selection of earlier works including Fleck and Flecker, Crossing Satie, and other choreographies